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作 者:先巴[1] Shanpa(China National Library Beijing lO0031,China)
机构地区:[1]中国民族图书馆,北京100031
出 处:《西藏研究》2016年第3期99-110,2+121,共12页Tibetan Studies
基 金:国家社科基金项目"首都藏文全集类‘目录加持速降’翻译校勘研究"(项目批准号:11CYY056)阶段性成果
摘 要:古籍版本是指古籍在生产、递藏过中形成的不同印本之间的异本特点。雕印刷技术在藏文书籍制造中使用后,以长条式,梵夹装为主,同时流行了经折装、蝴蝶装、线装书等。版式行款也从无版框起,插图、边栏、界线、明目等形式日趋统一、版面标准化,时代的变迁和区域的特点非常鲜明。乌金字体书写的标准化也为藏文古籍印本的发展起到了不可估量的作用,乌金苏通、萨钦、萨琼相继在藏文雕版时受青睐,字体固定、校勘粗细,从而形成了独具特色的藏文古籍版本形式。The ancient book version refers to the characteritstics of various copies of ancient books that were formed in the process of production,spreading and collecting. After the woddblock printing technolo- gy was applied in the manufacture of Tibetan books,the long strip Chinese pothi ttyle mainly domina- ted,at the same time concertina binding,butterfly binding,stitched binding and so on were also popular. Starting from non - layout,gradually illustrations, sidebars, boundary - lines, catalogues and others increasingly formed the unified and standard lagout, the features of changing time and locality were obrious. The standardization of Dbu- can calligraphic style significantly affected the development of ancient Tibetan book printing. Dbu- can- sug- thung,gsar- chen and gsar-chung were sequentially favored at the time of later period of Tibetan history.
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