飞翔的可能与“同尘”的江湖之重——对尔雅小说《同尘》的现代性解读  

On the Possibility of Flying and the Heavy Burden of“The Dust”——Interpreting Er Ya's Tong Chenfrom the Perspective of Modernity

作　　者：杨有庆[1] 

机构地区：[1]兰州交通大学文学与国际汉学院,甘肃兰州730070

出　　处：《兰州文理学院学报（社会科学版）》2016年第5期31-34,共4页Journal of Lanzhou University of Arts and Science(Social Science Edition)

基　　金：国家社会科学基金项目"空间批评与西方马克思主义文论研究"(12CZW001);教育部人文社会科学青年基金项目"西方马克思主义文学批评的空间传统"(12YJC7752036)

摘　　要：尔雅的小说《同尘》在第一人称人物复式叙述营构的美学个人主义与颓废风格中,呈现了古典艺术信念与现代艺术追求在现代性语境中的命运。通过分享对城市时代作为突围之"问道"与飞翔的可能与失败的观察,揭露艺术江湖中囿于物质、欲望与爱的各种习俗、历史、经验,以及其中体现的艺术的自律原则与他律原则之间的复杂关系。In Er Ya＇s novel Tong Chen,the first person＇s double narration constructs an aesthetic individualism and a decadent style,which displays the destiny of classical artistic faith and modern artistic pursuit in the context of modernity.By sharing＂the pursuit of Tao＂which is used as a breakthrough of urbanization,the possibility of flying and an unsuccessful observation,the novel exposes the materials,various customs of desire and love,history and experience,all of which are limited in the art field,and among which,the complex relationship between the principle of artistic autonomy and heteronomy are displayed.

关 键 词：尔雅 《同尘》 艺术 现代性 

分 类 号：I247.5[文学—中国文学]