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作 者:王彦彦[1]
机构地区:[1]兰州交通大学文学与国际汉学院,甘肃兰州730070
出 处:《兰州文理学院学报(社会科学版)》2016年第5期35-40,共6页Journal of Lanzhou University of Arts and Science(Social Science Edition)
摘 要:作为20世纪文学传统之一的欲望表达不仅在当今的文学创作中保持了活跃的态势,而且与时代境况相配合,有了更为复杂的表现形式。尔雅在新作《同尘》中写出了艺术家与欲望间复杂而矛盾的关系--他们既在欲望之内又在欲望之外;他们一面同欲望有着紧密的联系,一面又努力地从欲望外部进行反抗。小说运用了话语转移这一叙事策略,从伦理的欲望与欲望伦理的关系及社会表现入手,写出了我们这个时代的独特面貌,以及人们的反抗与悲情。Since the 20 th century,the desire narration in literature has been very active,and has been various and complicated in manifestation.Er-ya told us a story about artists and their desires in his new novel Tong Chen.These artists have been bound by desire,and made great efforts against this bound.The novel shows the relationship between the desire being dominated by ethics and the ethics of desire.By taking the tactics of discourse transfer,a better understanding of the true situation about our time can be achieved.
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