重绘电影地图:突破华莱坞电影产业发展的“胡焕庸线”  

Redrawing the Cinema Map: Breaking the “Hu Line” in the Development of Hollywood Cinema Industry

作　　者：邵培仁[1] 周颖[1] 

机构地区：[1]浙江大学传播研究所,浙江杭州310028

出　　处：《暨南学报（哲学社会科学版）》2016年第10期41-53,共13页Jinan Journal(Philosophy and Social Sciences)

基　　金：国家社科基金重大招标项目<"中国梦"影视创作与传播策略研究>(15ZD01)阶段性研究成果;浙江省社会科学重点研究基地--传播与文化产业研究中心;浙江省重点创新团队--国际影视产业发展研究中心课题<华莱坞电影理论研究:以国际传播为视维>(ZJ14Z02)的成果之一

摘　　要：与中国人文地理学家胡焕庸提出的中国人口密度分界线一致,中国西北半壁文化积淀历史悠久、自然风光奇美壮丽与电影精英流失、电影资源匮乏之悖正不断重申着一个问题:华莱坞电影产业发展的"胡焕庸线"该如何突破?基于此,本文运用数据统计及绘制电影地图的研究方法,结合媒介地理学、媒介生态学理论对华莱坞电影制片主体进行地域分布统计,从而揭示华莱坞电影产业发展失衡的现状,并针对突破华莱坞电影产业发展的"胡焕庸线"问题提出相应对策,以期重绘华莱坞电影地图。In accordance with Chinese Population Density Line proposed by Hu Huanyong,a Chinese humane geography scholar,the paradox between the long historical standing,the magnificent landscape and the cinema elite loss,film resource starvation in Northwest China is now constantly raising a question: how to break the 'Hu Line'in the Development of Hollywood Cinema Industry.Therefore,this paper is based on the Media Geography and Media Ecology Theory to compile statistics of the geographical distribution of the film production companies and try to draw the cinema map of Hollywood film,in order to shed light on the status quo of unbalanced development of Hollywood film industry and propose some feasible countermeasures to make the breakthrough of 'Hu Line',a boundary of Hollywood film industry be-tween Northwest China and Southeast China,finally realized.

关 键 词：华莱坞 胡焕庸线 媒介生态 媒介地理 

分 类 号：J905[艺术—电影电视艺术]