唐代乐营与营妓刍论  

On Entertainment Institutions(Yue Ying) and Comfort Women in Tang Dynasty

作　　者：郭威[1] 

机构地区：[1]中国艺术研究院音乐研究所,北京100029

出　　处：《艺术探索》2016年第5期111-116,共6页Arts Exploration

基　　金：国家哲学社会科学基金艺术学青年项目"宋以来中国封建王朝中央用乐管理机构研究"(13CB101)

摘　　要："乐营"至唐代已有三层含义,即营妓的组织机构、音乐活动经营区域、营妓固定居所。唐代营妓是乐籍管理下隶属于军队的一群。就现实的服务对象和具体营业范围来看,营妓与地方官妓不存在泾渭分明的严格区别。这种区分的不明确性,导致了后世二者的称呼混用和指代不明,而这一点又恰恰反映出,乐籍制度下,女乐作为俗乐服务群体的多层面、广泛性的存在。Entertainment institutions （Yue Ying） in Tang dynasty referred simultaneously to managing organizations of comfort women, arena for music performances and the abode of comfort women. The registry management of comfort women in Tang dynasty fell under the category of the army. Both comfort women and local courtesans catered to the same audience and shared almost the same business scope. The indefinite definitions resulted in the confusing reference to these two groups, which shed some light on the diversity of business scope of the folk music performers in the census registry genre of the untouchable, which was named Yue Ji embracing the prisoners of wars, criminals and their offspring.

关 键 词：乐营 营妓 音乐机构 乐籍体系 

分 类 号：J609.2[艺术—音乐]