论广元剑阁觉苑寺壁画的空间特征及其艺术内涵  

Analysis of the spatial arrangement characteristics and artistic connotation of frescoes on Jueyuan Temple,in Jiange,Guangyuan

作　　者：李雅梅[1] 

机构地区：[1]重庆大学艺术学院,重庆401331

出　　处：《重庆大学学报（社会科学版）》2016年第5期167-171,共5页Journal of Chongqing University(Social Science Edition)

基　　金：教育部人文社会科学研究规划基金项目(15YJA760019);重庆大学中央高校基本科研专项项目(CDJKXB13001;CDJSK05XK08)

摘　　要：从广元剑阁觉苑寺壁画的位置分布、平面构成、色彩配置、整体布局以及审美蕴含入手,分析佛教的经卷故事在转换为壁画创作过程中的布局、分割、转换和衔接,探讨绘画造型、轮廓、边界以及色彩配置等诸要素所隐藏的空间理念和组构特性,论述整体贯通的空间布局中所蕴含的艺术形式及其重要成因,挖掘由色彩褪变所构成的视觉审美所赋予壁画的生命形式及其艺术内涵。From the ways of distribution, flat plane, color configuration, whole layout, and aesthetic ideology, this paper explores the spatial characteristics of the frescoes on Jueyuan Temple in Jiange, Guangyuan.Then it analyzes how to lay out, partition, convert and connect the space during the conversion from the stories to the fresco-creation. The paper then inquires into the hidden spatial concept and the feature of spatial composition which the elements, such as the painting modeling, shape, boundary and color configuration, are all involved in.This paper also analyzes the artistic characteristics of the spatial arrangement as a coherent whole and its key formation. Finally, this paper expounds that the visual aesthetics composed by the color fading endow Jueyuan fresco with the new artistic formation and connotation.

关 键 词：觉苑寺壁画 布局特征 整体贯通 艺术内涵 

分 类 号：J218.6[艺术—美术]