名流消费与民国机制——以陆小曼、徐志摩与1920年代末上海小报为例  

Consumption of Celebrity and the Republican Apparatus:Lu Xiaoman,Xu Zhimo and Tabloids in Late 1920s Shanghai

作　　者：陈建华 Chen Jianhua(the Zhiyuan Chair Professor of Shanghai Jiao Tong University Shanghai 200240, China)

出　　处：《文艺理论研究》2016年第5期46-60,共15页Theoretical Studies in Literature and Art

摘　　要：1920年代末上海小报风起云涌,以有关社会名流的新闻与文学交杂的叙事满足大众的情感与文化消费。陆小曼与徐志摩因参与了云裳时装公司与演剧等活动而成为《上海画报》与小报"四金刚"的追踪对象。在对他们的隐私刺探甚至造谣生事中,涉及小报之间在商业策略与文化品级方面的差异,其中蕴含着社会各阶层、社团和人际之间利益制约的游戏规则、伦理价值和文化政治。在一定程度上,小报起到了增强社会透明度与大众认知的作用,同时在市民社会与国家权力之间发挥调适功能。In late 1920s Shanghai tabloids flourished. With sensational news reports and literary narratives, they catered to urban readers＇ needs for daily emotional and cultural consumption. Due to their involvement in the Yunshang Company and theatre performances, Lu Xiaoman and Xu Zhimo became foci of Pictorial Shanghai and other major tabloids. Numerous news or rumors about their activities revealed different values, tastes, and commercial strategies among the tabloids, which told the game rules, ethics, and cultural politics of various communities and strata in the civil society. To a certain extent, the tabloids not only helped the masses know more about power relations but also mediated between the civil society and the state apparatus.

关 键 词：陆小曼 徐志摩 上海小报 名流消费 民国机制 

分 类 号：G219.29[文化科学—新闻学] I206.6[文学—中国文学]