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机构地区:[1]湖南大学新闻传播与影视艺术学院,长沙410082 [2]湖南大学岳麓书院,长沙410082
出 处:《科普研究》2016年第5期54-61,99-100,共8页Studies on Science Popularization
基 金:教育部哲学社会科学研究重大课题攻关项目"加强和改进网络内容建设研究"(13JZD033);山西省教育科学规划课题"网络文化背景下创新高校生态文明教育研究"(GH-15024)
摘 要:作为科技传播的重要形式之一,科幻电影在其百余年历史中不断发展变化。通过对互联网电影资料库(IMDb)科幻电影加权平均分Top100从所属发展历程出发进行多个方面的数据统计分析,发现在百余年发展历史中科幻电影涉及类型元素逐步多元,科技恐惧感渐趋减轻;涉及科技种类有所丰富,同时具有时代烙印;主题倾向及世界观与现实贴近性渐趋增强,晦涩影片近年来不断减少,观影门槛有所降低;国际合作逐步多样,受众更倾向于技术性与思想性兼具的影片。科幻电影创作主体科学哲学素养的培养、专业素质的提升和对时代现实的关注,以及创作传播环境中科学领域的助力、政治环境的张弛有度和社会审美的转向是提升我国科幻电影科技传播的重要途径。As one of the most important forms of science communication,science fiction film has experienced continuous and tremendous changes during the past more than a hundred years. The results about categorical data analysis of Top 100 science fiction films show that the linkage type elements of science fiction film become more and more varied and audiences regain their faith in science. Moreover,the categories of linkage science are diversified and marked with the stamps of the time; with a low barrier to entry, the subject tendency and worldview of films are adapted to the reality gradually; And audiences tend to love the film which is both technical and thoughtful with different forms of international cooperation.Communication subjects should improve scientific literacy and build up their imagination;the field of science adds fuel to the flame and the area of expertise has paid great attention to the science fiction film. In addition, policy environment becomes more flexible and social aesthetic flavor changes with the times. All those factors contribute greatly to promoting science communication in Chinese science fiction film.
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