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作 者:单援朝[1] Shan Yuanchao(Sojo Universit)
机构地区:[1]日本崇城大学
出 处:《日语学习与研究》2016年第5期44-50,共7页Journal of Japanese Language Study and Research
摘 要:1980年代初风靡中国市场的收录机大部分产自日本,作为工业化时代的大众文化的媒介与标志对中国文化形成冲击。收录机不仅改变了当时音乐制品的生产、流通消费方式,极大地改善了外语教学的方式,还带动了中国人生活方式、思想意识的转变。可以说收录机给改革开放初期的中国带来了工业化时代的大众文化和面对世界的知识与信心。本文以市民回忆和王蒙、路遥小说里的收录机为线索,探讨日本的大众文化对改革开放初期的中国的影响。Radio-recorders, which swept all over China in the 1980 s, were mostly made in Japan. As the medium and symbol of mass culture in the industrial age, radio- recorders shocked Chinese culture. They did not just change the way musical products were manufactured, circulated and consumed, but also greatly improved methods of teaching foreign languages and even brought changes to Chinese people's lives and thoughts. To some extent, we can conclude that radio-recorders introduced Chinese to the mass culture and knowledge of the industrial age, along with the confidence to face the world at the early stage of China's reform and opening- up. This paper examines the radio- recorders in citizens' memories and in the fiction of Wang Meng and Lu Yao as clues, discussing the influences of Japanese mass culture on China at the beginning of the period of reform and opening-up.
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