现实与理想之间的彷徨——1920年代高长虹思想特点小考  

The Hesitation between Ideal and Reality:The Characteristics of Gao Changhong's Thoughts in the 1920s

作　　者：郑雪瑞[1] 

机构地区：[1]北京大学中文系,北京100871

出　　处：《河北广播电视大学学报》2016年第5期1-6,共6页Journal of Hebei Radio & TV University

摘　　要：谈起1920年代中国社会时,新青年和文学社团的出现是值得关注的现象之一。其中,出身于山西盂县的文学青年高长虹具有先进的文学思想,也对新文学抱有极大的希望,他以文学为主要工具试图改革中国的社会,从而解决各种人生的问题。因此,1924年至1929年间,他先后到太原、北京、上海等地进行狂飙运动,他的文学主张和狂飙运动在中国现代文学史上留下了比较深刻的印记。由于各种内外的原因,虽然他的狂飙运动最终无法获得成功,但也不能否认他对新文学的热情及对中国社会的关怀。实际上,高长虹的文学主张和狂飙运动的失败能够说明他在思想革命运动中所面临的各种问题,这些问题也反映了当时很多青年在理想和现实之间感到的困境。When it comes to Chinese society in the 1920 s,the emergence of the new youth and literary societies is one of the noteworthy phenomena.The literary youth Gao Changhong from shanxi has advanced literary ideas and great hope for new literature.He tries to reform Chinese society with literature as the main tool to solve all kinds of life problems.Therefore,he went to Taiyuan,Beijing and Shanghai for Sturm and Drang Movement from 1924 to 1929.His literary proposition and Sturm and Drany Movement left a deep imprinting in the history of modern Chinese literature.Due to various internal and external reasons,his Sturm and Drang Movement finally can not be successful.However,one can not deny his enthusiasm for new literature and care for the Chinese society.In fact,Gao Changhong＇s literary proposition and the failure of the Sturm and Drang Movement explain the problems he faced in the ideological revolutionary movement,which also reflects the dilemma that many young people felt between ideal and reality.

关 键 词：高长虹 狂飙社 狂飙运动 青年 文学社团 

分 类 号：I206.6[文学—中国文学]