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机构地区:[1]四川理工学院,四川自贡643000
出 处:《贵州民族研究》2016年第10期123-126,共4页Guizhou Ethnic Studies
基 金:四川省社会科学"十二五"规划2015年度项目"民俗艺术学视野下‘自贡灯会’非遗技艺‘活态’传承研究"(项目批准号:SC15B048)
摘 要:彝剧诞生于彝族丰富的民间艺术基础上,在传播、成长过程中受到花灯、滇剧等艺术形式的综合影响,其整体的发展历程兼具民族性和文化性。但彝剧作为民族文化在新时期的传承模式,无论表现形式如何变化、演绎技法如何完善,其所要实现的最终目标始终都是对彝族传统优秀文化的传播和继承。因此,当下对于彝剧的传承和保护都应始终围绕彝族传统的傩仪文化而展开,实现民族习俗、民族宗教信仰与戏剧表演间的统一;而彝剧未来发展路径选择则必须遵循一个基本要求,即对于民族历史的传承和优秀民族文化的传播,在此基础上结合各类型剧目的特点沿着现实社会进行新剧创作,最终探索出适合彝族居民生活方式的艺术审美表现和审美心理。Yi opera was born in Yi rich folk ar tfoundation,in the growth process,spread bythe lantern,and the combined ef fect of Yunnan, the over all development of both national and cultural. But Yi opera as a national cultural heritage in the new period,regardless of how to change the form of deductive techniques,how to improve,to achieveit sultimate goalis alway stospread and inherit the excellent traditional culture of Yi nationality. Therefore,the moment fo rthe inheritance and protection of Yi opera should always focus on the culture of Nuo Yi traditional and ethnic customs,nationalunity, religious belief and drama between; and Yi opera future development path selection must followa basic requirement,namely communication for the national historical heritage and excellent national culture,this on the basis of the characteristics of various types of drama to drama creation along thesocial reality,finally to explore a suitable way of life of the residents of Yiart aesthetic expression and aesthetic psychology.
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