从王国维到“京派”:现代中国文学中的“人文批评”流变略论  

From Wang Guowei to the “Beijing School”:On the Evolution of “Humanistic Criticism” in Modern Chinese Literature

作　　者：刘旭东[1] 李建军[1] 

机构地区：[1]宜春学院文学与新闻传播学院,江西宜春336000

出　　处：《萍乡学院学报》2016年第5期60-64,共5页Journal of Pingxiang University

基　　金：江西省社科规划项目(14WX19)

摘　　要："人文批评"是现代中国文学批评史上与"科学批评"相对的一种趋向,秉有重视文学的审美价值、强调文学的人性表现、自觉与中国传统文论和批评对接等特点。在外延上,现代中国文学中"人文批评"的流变呈现为,自王国维开始发生,周作人承接,由新月派(梁实秋、苏雪林等)继续发展,到京派(李健吾、沈从文、朱光潜等)深入并因国内政治形势变化而中止的一个过程。＂Humanistic criticism＂ is a kind of trend as opposed to ＂scientific criticism＂ in the history of modern Chinese literary criticism. It emphasizes the aesthetic value of literature, the humanistic performance of literature, and integrates consciously into the Chinese traditional literary theory and criticism, etc. On the extension, the evolution of ＂humanistic Criticism＂ in modern Chinese literature began to emerge from Wang Guowei. Zhou Zuoren inherited, developed from the New Moon School（represented by Liang Shiqiu, Su Xuelin, etc.） to the Beijing School（represented by Li Jianwu, Shen Congwen and Zhu Guangqian, etc.）, and came to an end due to changes of the domestic political situation.

关 键 词：王国维 京派 人文批评 

分 类 号：I206[文学—中国文学]