咏物与禁体:论清代浙西词派之咏物词  

Chanting Objects and Jinti:On the Descriptive Ci-poems of Ci School of Western Zhejiang in Qing Dynasty

作　　者：刘深[1] LIU Shen(College of Xingjian Science and Liberal Arts, Guangxi University, Nanning 530005, Chin)

机构地区：[1]广西大学行健学院,广西南宁530005

出　　处：《广西师范大学学报（哲学社会科学版）》2016年第5期20-27,共8页Journal of Guangxi Normal University(Philosophy and Social Sciences Edition)

基　　金：国家社科基金项目"清词自度曲研究"(12CZW039);广西高校科技研究项目"清代后期浙西词派研究"(KY2015YB489)

摘　　要：朱彝尊以《乐府补题》为载体,倡导咏物词。然而,朱彝尊却有意剥离了《乐府补题》的比兴寄托精神,刻意发扬其禁体物语的手法,从而形成浙派范式,其典型表现即是禁体词。从清代词史来看,明言禁体的禁体词虽不多见,然清人在咏物词的创作中普遍运用禁体物语的手法。从某种意义上说,禁体词的价值主要在于禁体物语的创作手法。当然,禁体词或者说禁体物语也具有很大的艺术魅力,这就是通过追求形式上的"隔",以达到审美上"不隔"的境界,体现了写意与留白的中国式审美理念。然而,浙派的这种咏物范式亦有其弊端,最终导致了浙派的衰落。Zhu Yizun took Writings Supplementary to Folk Songs and Ballads as an artistic medium to advocate descriptive Ci--poems. However, he suppressed the phrases in composing Ci--poems when describing things instead of using metaphor and reposing, thus forming Zhejiang Ci School, typically patterned as the Jinti Ci-poems. Judging from the history of Ci--poems, though the number of explicit Jinti Ci-poems is not in common, as a creative technique, the style of suppressing the phrases is widely used in descriptive Ci--poems. In some sense, much value of the Jinti Ci--poems came from its writing techniques of suppressing the phrases. Essentially, Jinti Ci--poems or the style of suppressing the phrases had its own attractiveness. In form, it pursued ＂estrangement＂ to achieve the ＂non- estrangement＂ aesthetic realm, which embodied Chinese classical aesthetic ideal of drawing the spirit and leaving space. However, this pattern of Zhejiang Ci School in chanting objects had disadvantages also and eventually resulted in its decline.

关 键 词：浙西词派 咏物词 禁体词 

分 类 号：I206.2[文学—中国文学]