论盛唐边塞诗对“汉文本”的引用与改写  

On the Quotation and Rewriting of “Texts of Han Dynasty” by the Frontier Fortress Poets in the Flourishing Period of Tang Dynasty

作　　者：姜玉琴[1] 

机构地区：[1]上海外国语大学文学研究院,上海200083

出　　处：《上海大学学报（社会科学版）》2016年第6期107-118,共12页Journal of Shanghai University(Social Sciences Edition)

基　　金：国家社科基金重大项目资助(15ZDB067)

摘　　要：从特殊的西北地域文化环境角度来探讨盛唐边塞诗"雄浑""浑厚"美学风格之形成,可以看作一个很好的但绝非是唯一的切入点。盛唐边塞诗风格的形成还可以从技术层面上来考察:诗人通过对"汉文本"的引用和改写,突破边塞诗这一诗体自身与生俱来的局限,从而把其原本处于封闭状态,即受到"边"与"塞"之束缚的诗歌类型,引入到一个以汉文化为代表的整个古代文化传统的价值范式之中。盛唐边塞诗的展开空间,是一种与历史贯穿于一体的大文化时空观。盛唐边塞诗的创作是一种与历史文化紧密相关的创作。盛唐边塞诗体现出"浑"和"厚"的艺术特质也是必然的。The aesthetic features of vigor and firmness displayed in the frontier fortress poems in the flour- ishing period of Tang Dynasty can be studied from the perspective of the geographical, cultural and environmen- tal factors of the unique Northwest which is a good, yet not the sole approach. They can also be studied from the angle of literary devices. The fortress poets broke the confinements inherent in the frontier fortress poetry it- self by quoting and rewriting the texts of Han Dynasty, thus liberating the creation of frontier fortress poetry from the confinement to ＂frontiers＂ and ＂fortresses＂ and setting fortress poetry in the value paradigm of the whole ancient cultural tradition represented by the culture of Han Dynasty. That is to say, the folding space displayed in the frontier fortress poems in the flourishing period of Tang Dynasty is a grand cultural temporal- spatial conception integrated with history. In this sense, the creation of frontier fortress poetry in the flourishing period of Tang Dynasty associates closely with history and culture. The aesthetic features of vigor and firmness in the poems are thus inevitable.

关 键 词：边塞诗 汉文本 引用 改写 

分 类 号：I206.2[文学—中国文学]