江湖诗人的公共“文坛”——以月泉吟社为中心  

Historical Analysis on the Communal Literary Forum for Folk Poets——Based on the Yueyin Society in Song Dynasty

作　　者：熊海英[1] 

机构地区：[1]湖北大学文学院,湖北武汉430062

出　　处：《湖北大学学报（哲学社会科学版）》2016年第6期71-77,164,共7页Journal of Hubei University(Philosophy and Social Science)

基　　金：国家社会科学基金资助项目:11BZW051

摘　　要：宋元之际的诗人和诗歌研究不止有"遗民的"这个视角,它同时也是"江湖的"。《月泉吟社诗》是江湖诗人的同题共作。所谓"文坛",从前高居庙堂,是士大夫专有的公共文学空间。从南宋后期陈起刊刻《江湖集》,到宋元之际月泉吟社征诗,江湖文人群体共同拥有的"公共文坛"逐渐形成。在亡国废科举的背景下,金钱名利因素介入这个公共文坛,使得诗歌和诗人逐渐脱离政治权力场域的附庸地位、获得独立价值具有了可能性。Studies on poets and poetry during the Song dynasty and Yuan dynasty are conducted not only from the perspective of remnants, but also of 'the underworld'. The works of Moon Spring Poem Association are created by the underworld poets on the same topic. The so-called 'literary world', which formerly occupied a high-level position, is a public literary space specially opened to scholar-bureaucrat. From the publication of Chen Qi's Jiang Hu(The Underworld) in the late Southern Song dynasty to Moon Spring Poem Association's collection of poetry in the Song and Yuan dynasties, the 'public literary world' shared by literati group gradually formed. Under the background of abolishing imperial examinations and national subjugation, factors like money, fame and wealth got involved in this literary world, which made poetry and poets gradually separate from the field of political power, thus making it possible to gain independent value.

关 键 词：遗民 月泉吟社 江湖诗人 公共文坛 

分 类 号：I206.2[文学—中国文学]