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作 者:向卫国[1]
机构地区:[1]广东石油化工学院南方诗歌研究所,广东茂名525000
出 处:《岭南师范学院学报》2016年第5期97-103,108,共8页Journal of Lingnan Normal University
基 金:广东省教育厅2014年特色创新项目(2014GXJK128)
摘 要:上世纪中国"朦胧诗"和"第三代"诗歌时期的重要批评家徐敬亚,同时也是一位坚持诗歌创作已达四十年之久的诗人,其"诗人"身份一直被"批评家"身份所遮蔽,有必要重新加以认证。徐敬亚的诗具有典型的"朦胧诗"特征,虽然其诗歌美学风格在不同时期有着明显的变化,但其"朦胧诗"的底色不变,具体表现在三个方面:鲜明的政治美学追求;理想主义的坚守;现实主义的底蕴。具有诗人和批评家双重身份的"徐敬亚",作为一个当代诗歌符号,其内涵远丰富于单纯的"朦胧诗人"标签,完全可以升级为"朦胧诗/人"而被视为一个特定时代的汉语诗歌文化在总体性上的最佳象征性人物。Xu Jingya is not only an important poem critic for the Ambiguous Poetry and the Third- Generation Poetry in the last century in China, but also a poet who has kept writing poems for 40 years. However, his status as a poet has been overshadowed by that he was widely accepted as a poetic critic. Therefore, it is necessary to discuss and confirm his status as a poet. Studies indicate that Xu Jingya's po- ems bear typical marks of the Ambiguous Poetry. Although his writing styles in terms of aesthetics were markedly different from one writing period to another, his misty style in poem writing remained unchanged, which can be perceived in three aspects: distinct political aesthetics, idealism, and realism. As a symbol of modern poetry, Xu Jingya with his double identity of poet and critic should not just simply be stricken on a label as a misty poet with his rich intentions compared with his simplicity. It is absolutely reasonable that he can be upgraded to a "Poet of Ambiguous Poetry" and regarded as one of the best symbolic figures of Chinese poetic culture in a particular time.
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