康海《中山狼》杂剧宗元复古倾向浅探  

An Analysis of Returning to Yuan Tendency in “Zhongshan Wolf” by Kang Hai

作　　者：汪龙麟[1] 

机构地区：[1]首都师范大学文学院,北京100089

出　　处：《大连大学学报》2016年第5期45-51,71,共8页Journal of Dalian University

基　　金：教育部人文社科重大项目"<西厢记>资料汇编"(12JJD750021)

摘　　要：在诗文上具有浓重复古情结的康海,对"元人传奇"也就是元杂剧,不仅涉猎丰富,且对其文学追求有精深体会。其《中山狼》杂剧便表现出浓厚的宗元复古倾向:宫调曲牌组合,谨守元剧规范;慢板紧板相错,"此等处极似元人";曲词语语本色,直摩元人之垒。Kang Hai, who had a strong retro love in his verses, took not onlyabundant knowledge of ＂Chuan Qi of the Yuan Dynasty＂——that is diversified plays of Yuan Dynasty, but also profound experience in its literary pursuit. His Play ＂Zhongshan Wolf＂ showed a heavy retro tendency to Yuan Dynasty： the combination of modes and names of tunes with the plays strictly; adagio and allegro played alternately, and ＂these were quite similar to Yuan＂, the words representing its inherent character and overwhelmingly resemble the Yuan plays.

关 键 词：康海 《中山狼》杂剧 宗元复古 

分 类 号：I206.47[文学—中国文学]