论1930—1937年间的左翼戏剧(下)  

An Increasingly Mighty Style: Left-Wing Theaters Between 1930 to 1937(Ⅱ)

作　　者：陈红旗[1] 

机构地区：[1]嘉应学院文学院,广东梅州514015

出　　处：《重庆三峡学院学报》2016年第6期19-25,共7页Journal of Chongqing Three Gorges University

基　　金：国家社会科学基金青年项目(10CZW058);教育部人文社会科学研究青年项目(09YJC751035);广东省高等学校学科与专业建设专项资金科研类项目(2013WYXM0106);广东省高等学校人才引进专项资金项目(粤财教〔2013〕246号)阶段性成果

摘　　要：左翼戏剧剧本或舞台表演中针对日寇的骂语,不仅宣扬了明晰的反日思想,也传达了新的道德观——以抗日为荣,以降日为耻。同时,左翼戏剧作者尽力做到让人物的言行符合他们的身份,所演内容尤其是宣扬抗日救亡的戏剧获得了民众的强烈认同。巨大的道德宣教和政治宣传效力,使得戏剧成为大众日益关心和进步文艺界日趋倚重的一种艺术形态。1930—1937年间以抗日救亡为主线的政治取向、社会风气和道德评判影响着戏剧风气,文坛出现了戏剧文体日趋强势和新式道德横亘戏剧的景观,进而使得越来越多的左翼戏剧既能产生直接的政治宣传效果,又能依凭自身的艺术力量和时代特色来吸引更多的受众或读者。The curses at the Japanese in Leftist theatre or theatrical performances not only promoted a clear anti-Japanese thought, but also advocated a new morality—be proud of anti-Japanese and ashamed to surrender. Meanwhile, the Leftist theatre writers tried to keep the characters with their words and deeds. The content of the performance of the plays, especially those promote the anti-Japanese drama, gained strong recognition from the public. With great moral and political propaganda, both the public and the league of Leftist writers raised high concern about drama. Political orientation, social atmosphere and moral judgment, with the main stream of the anti-Japanese from 1930 to 1937, all made influences on drama. In the literary world, appeared the increasing might of the style of drama and of the new moral theatre, which not only made a direct political propaganda effect on other Leftist plays, but also attracted a larger range of audience and readers for its artistic power and time characteristics.

关 键 词：左翼戏剧 抗日救亡 道德宣教 政治宣传 强势文体 

分 类 号：I206.6[文学—中国文学]