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作 者:邵明[1]
出 处:《重庆三峡学院学报》2016年第6期26-30,共5页Journal of Chongqing Three Gorges University
摘 要:1940—1970年代,具有意识形态同质性的"革命文艺"对于革命的再现,往往建立在伦理叙事的潜话语之上:伦理亲情是实现革命意识形态动员的核心情感,向阶级敌人讨还亲情血债的正当性,是对于革命之历史合法性的关键性论证;以"家"为单元展开关于革命的叙述,使阶级分野从属于家族分野,并将阶级斗争作为家族斗争展开的新场域和采取的新形式;作为伦理价值之核心的"孝",是革命者主体性建构的价值基石。"革命文艺"无意识层面的伦理表达具有引导传统文化认同的正面意义,却难以清除其消极性价值,所以必须有意识地贯彻"古为今用、推陈出新"的原则。During 1940-1970 s, the reoccurrences of revolution in "revolutionary literature" which shared the common ideology were often based on the latent discourse of ethical narration. First, the family emotion is the core of the ideological motivation, legitimacy of revenge for the family to class enemies is to demonstrate the legitimacy of the revolution. Second, taking the revolution narration of "family", the class dividing line coincide with the family dividing line, and the class struggle became the new field and new carrier of a family struggle. Third, the core of "filial piety" in the value system is the value basis of revolutionary subjectivity. Revolutionary Literature's unconscious ethical expression had the positive significance to guide traditional cultural identity but was difficult to eliminate the negative value. Therefore, we must consciously implement the principle of "make the past serve the present, get rid of the stale and bring forth the fresh".
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