菲茨杰拉德小说《夜色温柔》中的“电影化”技巧  

On Fitzgerald's Exploration of Cinematic Technique in Tender is the Night

作　　者：张俊萍 

机构地区：[1]江南大学外语学院,江苏无锡214000

出　　处：《广州广播电视大学学报》2016年第5期58-63,110,共6页Journal of Guangzhou Open University

基　　金：教育部人文社科青年项目"消费主义的兴起与20世纪20年代美国小说研究"(项目编号:12YJC752043);国家社科一般项目"消费主义伦理在20世纪初美国小说中的肇始与建构研究"(项目编号:14BWW076);中央高校基本业务费专项资金资助(项目编号:2015JDZD15)

摘　　要：菲茨杰拉德的多数小说都充斥着"电影化"这个词眼,其耗费九年心血创作的小说《夜色温柔》也毫无例外运用了大量"电影化"技巧,如蒙太奇、电影视觉造型、声音造型技巧等等。各种"电影化"技巧的使用在一定程度上渲染了故事气氛、突显了人物形象,强化了作家所要传达的思想情感,让小说获得了更多的言外之意。Most of Fitzgerald's novels are characterized by cinematic exploration, which is realized by means of montage, special visual and aural effects, and so on. This is best manifested by Tender is the Night, which took the writer's nine years of toil. The cinematic skill explored in the novel helps strengthen the story's specific atmosphere, its characterization, in addition to more efficiently conveying the author's thoughts and feelings, and the book's underlying significance.

关 键 词：菲茨杰拉德 电影化 小说 夜色温柔 

分 类 号：I246[文学—中国文学]