黑人的百衲被与印第安的圆——《梅瑞迪安》的混杂性叙事  

The Blacks' Quilt and Indians' Hoop: The Hybrid Narrative in Meridian

作　　者：王秀杰[1] 

机构地区：[1]杭州电子科技大学外国语学院

出　　处：《国外文学》2016年第4期137-144,共8页Foreign Literatures

基　　金：浙江省哲学社会科学规划重点项目"艾丽丝.沃克的混杂性书写研究"(项目编号:16NDJC003Z)的阶段性成果

摘　　要：艾丽丝·沃克是当代美国文坛最具影响力的作家之一。她在访谈和自传体散文中多次承认自己的美国黑人和美国印第安祖先与文化传统,并在其作品尤其小说中突出自己多元民族的文化特质,使其颇具混杂性。沃克在其第二部小说《梅瑞迪安》中便将混杂性的叙事模式作为建构自己混杂性民族与文化身份的文本表征。在文本中,沃克以颇具"黑人性"的百衲被叙事再现美国黑人生活与成长的碎片,然后将这些碎片与美国印第安民族的圆形理念互融,确立沃克黑人文本的印第安性书写模式。As one of the foremost contemporary writers in American literature,Alice Walker recognizes her African American and American Indian ancestries in her interviews and autobiographical essays,and reflects her complex national cultures in many of her published works,especially in her fiction,which enhances the trait of hybidity for the text. In her second novel Meridian,Walker demonstrates the living and growing fragments of African Americans with 'blackness-marking'quits and combines them with American Indians' ideas of hoops,establishing Walker's 'Indianess'in writing her black texts.

关 键 词：艾丽丝·沃克 《梅瑞迪安》百衲被 圆环 

分 类 号：I712.074[文学—其他各国文学]