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作 者:关心[1]
机构地区:[1]郑州大学音乐学院
出 处:《中州学刊》2016年第10期125-130,共6页Academic Journal of Zhongzhou
基 金:国家社会科学基金项目"中国近代慈善义演研究"(15BZ092)
摘 要:清朝末年,一批中国留日学生热心于学习西方音乐知识、研究并传播西方音乐文化。他们通过创办音乐刊物、研究音乐理论、创办音乐社团、组织社会活动、开展音乐教育、编撰音乐教材等社会实践活动,有效促进了中国社会对西方音乐文化艺术的了解,推动了西方音乐在中国的传播和中西音乐文化的交流。他们的音乐传习活动,不仅适应时代发展需要,契合当时国民的心理,而且推动了中国传统音乐的改革步伐。At the end of the Qing Dynasty, a group of Chinese students studying in Japan were eager to learn Western music, research and disseminate Western musical culture. They founded music publications, studied music theory, established music community, organized social activities, carried out music education, compiled music textbooks and undertook other social practice, as a result, they effectively promoted the Chinese society to understand Western musical culture and arts, accelerated the Western music dissemination in China and furthered the musical culture confluence between Chinese and Western ones. Their music learning and communication activities, not only adapted to the development needs of the times, fitted the national psychology at the time, but also promoted the pace of reform in Chinese traditional music.
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