“至善至美”思想共需下的景德镇现代瓷雕艺术审美  

Artistic Aesthetic of Jingdezhen Modern Ceramic Sculpture under“Perfcet”Ideological Demand

作　　者：袁乐辉 齐霞 李兴华 

机构地区：[1]景德镇陶瓷大学,景德镇333001

出　　处：《中国陶瓷》2016年第11期89-92,共4页China Ceramics

基　　金：国家社会科学基金项目(13BKS059);江西省2014年度高校人文社科规划项目(14YS507)

摘　　要：景德镇瓷雕作为一种"尽善尽美"的人格理想之审美对象,负载着浓厚的"求吉求福、求全求美"审美思想与精神内涵的物化象征,并被历代景德镇瓷雕艺人们所汲取与传译。显然,其艺术所显现出的"求吉求福"祈求观、"和谐美满"生活观和"寓意象征"审美观,必然影响其瓷雕风格朝着世俗情感的寄寓、民族信仰的蕴含和生活寄予的彰显等审美方式发展,也促使其瓷雕的艺术审美趋向题材的汲取世俗化、内涵的象征寓意化。Jingdezhen ceramic sculpture as an aesthetic object of ＂perfect＂ ideal personality, loaded with materialization symbolizing of aesthetic ideal and spiritual connotation, deeply influenced by traditional auspicious culture, and infiltrated the distinctive ＂flawless＂ ideas. Obviously, arts show pray concept of ＂seeking auspice and happiness＂ life attitude of ＂harmonious and happy＂ , aesthetic view of ＂meaning a symbol＂ , which will inevitably affect its ceramic sculpture style ignited emotions toward to secular emotion, ethnic beliefs contains, the development in symbol of life, which also stimulate its aesthetic ceramic sculpture themes tending to draw secularization of moral connotation.

关 键 词：瓷雕艺术 图式 吉祥文化 

分 类 号：TQ174.74[化学工程—陶瓷工业]