宋代文学与桃花民俗  

Literature of Song Dynasty and Folk Customs of Peach Blossom

作　　者：渠红岩[1] 

机构地区：[1]南京信息工程大学语言文化学院

出　　处：《云南社会科学》2016年第6期166-170,共5页Social Sciences in Yunnan

摘　　要：中国古代文学对桃花的文化认识在宋代已经臻于深入和成熟,桃花成为那一时代人们普遍喜爱的花卉,甚至走进了文人的书房,成为文人清雅生活的重要场景。有关桃花的民俗活动比唐代更加丰富,瓶插桃枝、馈赠桃枝、仙桃祝寿、桃符避邪等为追求生活情趣、讲究生活格调的文人提供了丰富的创作素材。宋代文人悖逆了唐代桃花意象表现的情景相生的原则,遗貌取神,在内容、表现方式、艺术特色方面都具有不同于唐人的创新,丰富了我们对桃花民俗的认识与理解。The cultural understanding of the peach blossom in Chinese classical literature tended to be deepened and matured in Song Dynasty. The peach blossom was very popular among the public at that time and even entered the studies of literati,becoming an important background of their elegant and agreeable lives. There were richer folk activities related to peach blossom in Song Dynasty than those in Tang Dynasty,such as inserting peach sticks in a vase,presenting peach sticks as gifts to others,using sacred peach to celebrate birthday and using'Tao Fu'to ward off evil. Those activities provided abundant creation materials for those literati who pursued the joy of life and were particular about life style. Literati of Song Dynasty went against the principle of'combining feeling with situation'shown by the image of peach blossom in Tang Dynasty and seized the spirit of things instead of describing their appearance. In aspects of content,way of expression and artistic feature,they made innovations different from what the literati of Tang had made,and enriched later generations' knowledge and understanding of the folk customs about peach blossom.

关 键 词：桃花 民俗活动 桃枝 桃符 

分 类 号：I206[文学—中国文学]