从《桃源洞》看巫教对邵阳花鼓戏的影响  

On the Shamanistic Influence over Shaoyang Huagu Opera: A Case Study of Taoyuan Cave

作　　者：聂国红[1] 

机构地区：[1]湖南女子学院艺术表演系,湖南长沙413000

出　　处：《湖南科技大学学报（社会科学版）》2016年第6期148-152,共5页Journal of Hunan University of Science and Technology(Social Science Edition)

基　　金：湖南省社科基金资助项目(13YBA177)

摘　　要：巫教在邵阳花鼓戏的定型和发展上起到了一定的作用。现存资料中,介绍邵阳花鼓戏与巫教两者之间渊源的资料较为零碎,缺乏具体的分析。实际上,在邵阳花鼓戏剧班的成型以及剧目的流变、表演的方式和戏曲音乐的风格等方面都显露出巫教所产生的影响。这些影响在邵阳花鼓戏《桃源洞》中表现得尤为明显。Shamanism has Shaoyang Huagu Opera. Nearly played an important role in the stereotyping of the existing data introducing the original and the developing process of relationship between Shaoyang Huagu opera and Shamanism is fragmentary and lacks of specific analysis. In fact, Shamanism has a positive effect on the stereotype of Shaoyang Huagu Opera. What＇s more, it also influences the development process of the play, the way of performance, the style of the opera music, and so on. All these effects can be represented by the famous Shaoyang Huagu opera Taoyuan Cave.

关 键 词：邵阳花鼓戏 巫教 桃源洞 

分 类 号：J643[艺术—音乐]