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作 者:倪海燕[1]
出 处:《肇庆学院学报》2016年第6期6-10,共5页Journal of Zhaoqing University
摘 要:当代女性作家的写作中,很多涉及两性道德问题。盛可以直接以"道德颂"为题目,试图以小说的形式探讨这一形而上的问题,其尝试非常可贵,无论情节还是文笔都非常独特。但局限也是明显的,性爱与婚姻的道德本质,两性道德与社会道德的区分,单一视角和双重道德标准的偏狭等都成为其思考的陷阱和困境。在当代女性作家的同类写作中,存在这种问题的并非少数。但作者的思考并未跌入虚无,而是留下了空间,这是值得肯定的。Although many women writers touched the gender morality in their novels, only Sheng Keyi tried to talk about this issue directly in her book Morality Ode, in which she did very well with the story, the description of emotions and scenes. But she and her heroine couldn' t find out the essences of the morality of love and marriage, the differences between gender morality and social morality, and the only perspective of woman limited their thoughts. In the contemporary women' s writing, it' s normal. Fortunately, she and her heroine didn' t fall into void, and still enlightened us to think more about it.
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