新旧杂糅的时代表征——刘云若小说《春风回梦记》的人物形象和叙事模式  

Epoch Feature of the Old and the New——Characters and Narrative Pattern of Dream in Spring Breeze by LIU Yun-Ruo

作　　者：乔以钢[1] 张斌[1] 

机构地区：[1]南开大学文学院,天津300071

出　　处：《求是学刊》2016年第6期106-113,共8页Seeking Truth

摘　　要：刘云若成名作《春风回梦记》中以"倡优/士子"的关系模式塑造了类似传统名妓与名士的角色,但在这些人物身上同时又蕴含着特定历史时期名妓/名士文化内涵演变乃至趋于衰败的信息。小说中男女主人公的情感悲剧与"三角恋爱"的现代故事模式并不完全对位。作品结局隐现了一夫多妻制的末路,但不足以弥补"三角关系"中爱情本位的缺失以及女性在婚姻中的客体位置。这部作品人物形象的内涵和叙事模式的变化体现了新旧杂糅的时代表征。The representative work of LIU Yun-ruo Dream in Spring Breeze depicts traditional famous prostitute and scholars based on the relation pattern of＂prostitute/scholar＂but with cultural connotative transformation and declining hint under special historical period. The emotional tragedy of the hero and heroine as well as the modern story pattern of＂triangle love affair＂does not show contraposition. The ending hints at the end of polygamy, but lack of position of love in ＂triangle relation＂and the objective position of female in marriage. The change of connotation of the characters and narrative pattern show the epoch feature of the old and the new.

关 键 词：刘云若 《春风回梦记》 时代表征 人物形象 叙事模式 

分 类 号：I207.425[文学—中国文学]