论才子佳人小说的艺术特色  

The Artistic Features of Scholar-beauty Romances

作　　者：杨勇[1] 胡家全[2] 

机构地区：[1]三峡大学期刊社,湖北宜昌443002 [2]荆楚理工学院文学与传媒学院,湖北荆门448000

出　　处：《铜仁学院学报》2016年第6期73-77,共5页Journal of Tongren University

摘　　要：以"才子"、"佳人"的遇合遭际为主要内容,表现作者爱情婚姻理想和人生价值观的才子佳人小说在明末清初独树一帜,自成流派,其艺术特色主要表现在三个方面:情节的编织,以生活的真实为重要原则,寓奇巧于平凡;结构的设置,以才子佳人的爱情婚姻为主线,开放而收束有度;审美的观照,由外在转向人物内心,心理描写成为重要的表现手段。这些对后世《红楼梦》的创作都产生了一定程度的影响。The Scholar-beauty Romances thematically center on the encounter and love between “the giftedscholars” and “the beautiful ladies” and show the ideas of love and marriage and the values of life of the authors. Theschool of Scholar-beauty Romances enjoys three artistic features that made it outstanding in its specific time, namely,the deliberately designed plots based on realistic authenticity with combination of accidental coincidences withcommonplace, the well-planned structure focusing on the love and marriage of the heroes and heroines with proper andflexible control, and the adequate management of aesthetic effect with psychological description as an important devicein the shift from extrinsic description to expression of inward feeling of the characters, as to some extent exertinginfluence on composition of the subsequent works such as the Hong Lou Meng （The Story of the Stone）.

关 键 词：才子佳人小说 传奇 开放 心理描写 

分 类 号：I207.41[文学—中国文学]