南宋《上清灵宝大法》音乐资料研究  

Study on the Music Materials of Shang Qing Ling Bao Dafa in the Southern Song Dynasty

作　　者：蒲亨强[1] 

机构地区：[1]西南大学音乐学院

出　　处：《黄钟（武汉音乐学院学报）》2016年第4期34-41,62,共9页Huangzhong:Journal of Wuhan Conservatory of Music

基　　金：2011年国家社科基金艺术学资助项目(项目批号:11BD035);西南大学2012年度人文社会科学研究重大项目培育经费资助(项目批号:2XDSKZ004)

摘　　要：文章较详解读南宋仪式音乐文献《上清灵宝大法》,并以黄策斋、传度仪等仪式音乐为重点研究其涉及的灵宝斋音乐之古今演变概貌,指出在新旧仪式的融合与变革中,情节性的新潮斋仪模式占有上风,并构成以后斋仪音乐发展的主流。由此略窥南宋仪式音乐发展的概貌和特点。又对文献涉及的仪式音乐重要概念、现象和仪式的逻辑内涵等进行了较深入的分析。This paper gave a detailed interpretation of ritual music document Shang Qing Ling Bao Data in the Southern Song Dynasty.And especially focusing on the ritual music of Huangluzhai,Chuanduyi,which involving the evolution of Lingbaozhai music overview from ancient to nowadays.It points out that in the integration and transformation of the old and new rituals,the stylish plot ritual model have the upper hand,and would become the main trend to developing the ritual music in the future.Thus it has a glimpse the characteristics and outline of development of ritual music in the Southern Song Dynasty.It also analyzed thorough the ritual music related to literature such as important concepts,the phenomenon and logic connotation of the ritual.

关 键 词：南宋 斋仪音乐 上清灵宝大法 经韵 变革 

分 类 号：J608[艺术—音乐]