中国当代电影画面色彩的伦理言说  

Ethic Comment on Frame Colors of Chinese Contemporary Movies

作　　者：苏月奂[1] Su Yuehuan(Faculty of Arts, Qingdao University, Qingdao Shandong, 266071)

机构地区：[1]青岛大学美术学院,山东青岛266071

出　　处：《山东师范大学学报（人文社会科学版）》2016年第5期150-156,共7页Journal of Shandong Normal University(Humanities and Social Sciences)

摘　　要：色彩在中国当代电影中不仅是一种还原事物、构筑画面的形式元素,其本身还包含着丰富的伦理内容。红色、绿色、黑色和白色通过色彩感觉、文化历史及社会认同等特质,分别言说着伦理的冲突、自由、固守和更新。色彩的伦理言说达成了电影美与善的统一,证明电影中存在着"形式的内容"。中国当代电影的叙事伦理研究应由此进一步展开。Colors in Chinese contemporary movies are not only a formal element, but also comprised of plentiful ethical contents themselves. The red, green, black and white of frame colors respectively denote conflicting, free, keeping and renovating of ethics by color feeling, culture, history and social identity. Ethic comment on colors gets to the unification of beauty and goodness of movies, and shows that there exists ＂content of form＂ in movies. Based on it, the research of narrative ethics of Chinese contemporary movies should be carried on.

关 键 词：中国当代电影 画面色彩 叙事伦理 

分 类 号：J905[艺术—电影电视艺术]