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作 者:郑岩[1]
机构地区:[1]山东大学艺术学院,威海264209
出 处:《北京舞蹈学院学报》2016年第5期84-87,共4页Journal of Beijing Dance Academy
基 金:2013年山东省社会科学规划研究项目"齐鲁舞蹈文化艺术产业化新模式研究"(项目编号:13CWYJ07)阶段性研究成果
摘 要:环境舞蹈在今天被越来越多地关注。它既是舞蹈艺术自身发展的必然结果,也是艺术与人类生存环境发生密切联系的现实存在。本文从审美主客体关系建构的角度分析了环境舞蹈身体介入的方式,其中包括运动的身体介入特定的空间、动作的意义介入环境的内涵以及观众的行为介入作品的意义。The presence of site-specific dance shows great concerns about the reality of human's survival environment and also relates to the expansion of the contemporary art. This paper aims to analyze the ways how the body intervenes into the site-specific dance in the perspective of the construction of the aesthetic relationship between subject and object. In specific,it includes how the body in motion intervenes into the specific space,how the meaning of the action intervenes into the connotation of the site and how the audience's behavior intervenes into the meaning of the dance works. Since the aesthetic unutilitarian has been broke down,it is no exaggeration that the artistic criticism is not only an essential feature of the formation construction of the site-specific dance,but also the highlights of the critical humanitarian concerns of modern art.
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