工笔人物画色彩设置研究  

On Color Configuration in Meticulous Figure Painting

作　　者：齐永新[1] Qi Yongxin(Academy of Fine Art, Shandong University of Technology, Zibo 255000, Chin)

机构地区：[1]山东理工大学美术学院,山东淄博255000

出　　处：《山东理工大学学报（社会科学版）》2016年第6期81-85,共5页Journal of Shandong University of Technology（Social Sciences Edition）

基　　金：国家艺术基金项目"美术创作工笔人物画‘丝路纪行’"(20166035)

摘　　要：色彩设置是工笔人物画教学的重要内容,在教学中要引导学生建立色调意识,加强小色稿设计;在正稿制作中重视底色制作和肌理效果,依据材质特性选取适合的表现技法,突出平面性特征,把握虚与实、色与线等各种关系;通过洗擦、打磨等方法调整画面,达到雅致、精妙的艺术效果。顺应学生对色彩的独特感觉和喜好,引导学生把偏爱做足,形成色彩个性。Color configuration is a dominant content in the teaching of meticulous figure painting. In the process of teaching,students＇ attention should be geared to establishing a sense of color tone and enhancing color sketch design; and the grounding design and texture effect deserve more attention in the final draft by adopting appropriate expressive technique in accordance with the texture,highlighting its planarity,and handling the relationship between color and lines,blankness and solidity,and attaining the elegance and delicacy in art creation through polishing. Students are to be encouraged to follow their unique sense of color preference and elaborate on their instinct for color,and thus shape their own individualized color preference.

关 键 词：色调意识 主观色彩 色彩平面性 色彩个性 

分 类 号：J212[艺术—美术]