村上之魅?村上之惑?——社会接受视角下的村上春树文学  

Enchantment or Conundrum?——An Existentialist Reading of Haruki Murakami's Work

作　　者：吴昊[1] 

机构地区：[1]华东师范大学外语学院

出　　处：《日本研究》2016年第3期82-87,共6页Japan Studies

摘　　要：本文以村上春树新近出版的短篇小说集《没有女人的男人们》为例,从社会接受和哲学层面阐析村上文学中的"孤绝"主题。村上春树的文学影响近二十年来在中国持久不衰,既反映了改革开放后中国都市"小资"群体的阅读需求,也折射出中国特定群体于社会转型期所呈现的"集体无意识"。"孤绝"在现代阅读中具有"消极的治愈性"之文学功能,但其精神内核浸透着虚无和主体性欠缺,其文学价值难以与传统日本文学经典媲美。Haruki Murakami＇ s works has been successfully disseminated in Chinese modern society since 2000＇ s with its huge circulation volume,readership and social influence .This paper begins from his latest short stories〈men without women〉, try to clarify the ＂isolated＂ theme of his works through philosophical thinking. The boom of Haruki Murakami is right with the growth of ＂petty bourgeoisie crowd＂ in the metropolis of China, meanwhile also is the mirror of Chinese＇ s ＂collective unconscious＂. This paper argues that the ＂negative cure＂ of his works which would be lead to nothingness and lack of subjectivity.

关 键 词：村上春树 孤绝 存在主义 主体性 

分 类 号：I37[文学—其他各国文学]