政治地理学视阈与“越境的”日本现代主义诗歌时空叙事——以安西冬卫的诗为例  

Political Geography and Space-time Narrative in Cross-border Japanese Modernism Poetry: Based on Fuyue Anzai's Poetry

作　　者：柴红梅[1] 

机构地区：[1]大连外国语大学日本语学院,辽宁大连116044

出　　处：《外语与外语教学》2016年第6期31-41,共11页Foreign Languages and Their Teaching

基　　金：国家社科基金一般项目"中国东北都市空间与日本作家殖民体验的文学书写"(项目编号:13BWW020)的阶段性成果

摘　　要：在日本近现代史中,日本的"外地"是日本帝国主义对外进行军事侵略和殖民扩张的产物。它不仅是一个历史性存在空间,更是一个政治性地理空间。本文以曾经生活在日本殖民地中国大连的日本现代主义诗人安西冬卫的诗作为例,从政治地理学视阈对日本现代主义诗歌并非发生于本土,而是孕育于日本的"外地"政治地理空间——中国大连这一事实加以论证,剖析了安西冬卫诗作中的政治地理学隐喻,辨析了日本现代主义诗歌侵略与殖民的本质属性。研究表明,政治地理学是审视"越境"的日本现代主义诗歌的重要视角,通过历史与地理的立体思维对日本现代主义诗歌的时空叙事作以考察,可以揭示被掩盖和遗忘的日本现代主义诗歌发生史的真相。'Gaidi',usually indicates a place located beyond the country,bears the meaning of 'colony 'which is the outcome of the military invasion and colonization by the Japanese imperialists in the modern history of Japan. It refers not only to a historical existence but a political geographic space. This article,based on the poetry by Fuyue Anzai who once lived in a Japanese'colonial'city of China's Dalian,argues that Japanese Modernism Poetry did not originate domestically,but from the 'Gaidi'of Dalian,China. It further analyzes the Political Geography metaphors in Fuyue Anzai's poetry,and reveals the nature of invasion and colonization in Japanese Modernism Poetry. The study shows that Political Geography is a good point of viewto study cross-border Japanese Modernism Poetry. By investigating Space-time Narrative in Japanese Modernism Poetry from historical and geographical aspects,it could unfold the forgotten truth in the history of Japanese Modernism Poetry.

关 键 词：政治地理学视阈 外地 越境 日本现代主义诗歌 安西冬卫 政治隐喻 

分 类 号：H0[语言文字—语言学]