狂欢与虚无——丽江酒吧文化的后现代性  

Carnivalism and Nihilism——The Post-modernity of Lijiang Bar's Culture

作　　者：邹洪锦[1] 

机构地区：[1]云南大学旅游文化学院,云南丽江674199

出　　处：《信阳农林学院学报》2016年第4期57-59,63,共4页Journal of Xinyang Agriculture and Forestry University

基　　金：云南省教育厅科学研究项目(2014C199Y)

摘　　要：后现代状况下的丽江酒吧文化具有屏蔽现实、规避禁忌等诸多狂欢化特征,这种狂欢本来具有打破秩序和"脱冕"功能,但因消费主义的盛行,它在消解掉权威的同时,也消解了自身,从而沦为了消费主义的工具。而且丽江酒吧文化因消费主体的外地化和消费产品的雷同化等方面的原因具有某种虚无化特征。本文拟用巴赫金的狂欢化理论和乔治·里茨尔的社会学理论分析丽江酒吧文化的这种狂欢化和虚无化特征。In the post modern situation,Lijiang Bar＇s culture has carnival features such as shielding reality,avoiding taboo and so on.The carnival has the function of＂taking off crown＂and breaking the order originally,but it deconstructs itself when it deconstructs the authority because the prevalence of consumerism. Thus it descends to the tool of consumerism. And further more Lijiang Bar＇s culture become windy because of the ecdemic consumption subject and the similar consumption product. This thesis analyses the carnivalism and the nihilism of Lijiang Bar＇s culture throuth using Bakhtin＇s Carnival theory and George Ritzer＇s sociological theory.

关 键 词：丽江 酒吧 狂欢 虚无 消费主义 

分 类 号：G248[文化科学]