戏曲“同质化”现象之思考  

On the Homogenization of Xiqu

作　　者：李莎[1] 

机构地区：[1]上海戏剧学院戏曲学院

出　　处：《戏剧艺术》2016年第6期83-88,共6页Theatre Arts

摘　　要：戏曲"同质化"现象是现今文化形态中值得关注的话题。本文从戏曲音乐唱腔、表演程式技艺、文本创作与导演创作等角度探讨了目前"同质化"现象,分析危害,提出践行"去同质化"的方向,目的在于捍卫戏曲本体、张扬剧种特性、坚守样式独创。只有坚定在唱腔、表演、编导等方面"去同质化"的底气,才能为戏曲繁荣有所作为。The homogenization of Xiqu is an issue of concern for Chinese culture. This paper discusses the problem of homogenization from the perspectives of tunes, conventional acting skills, playwriting and directing. By showing the disadvantage of homogenization, the paper goes on to propose a solution for ＂de-homogenization＂. The purpose of the de-homogenization is to protect the essence of Xiqu, highlight the characteristics of various types of Xiqu and be creative in artistic styles. Only by confidently ＂de-homogenizing＂ Xiqu in tunes, acting and directing can we make contributions to the developments of Xiqu.

关 键 词：戏曲 同质化 戏曲本体 剧种特色 独创性 

分 类 号：J80[艺术—戏剧戏曲]