范当世著述版本考述  

An Examination of Versions of Fan Dangshi's Works

作　　者：陈晓峰[1] 

机构地区：[1]南通大学范曾艺术馆,江苏南通226001

出　　处：《山西师大学报（社会科学版）》2016年第6期57-61,共5页Journal of Shanxi Normal University(Social Science Edition)

基　　金：江苏高校哲学社会科学研究一般项目(2016SJB870010);南通市社科基金一般项目(2016BNT029)

摘　　要：范当世在晚清文坛独步一时,诗是同光体的杰出代表,文继承了桐城派曾国藩、张裕钊的衣钵。其传世稿本、刻本中不乏意义重大者。其中《范伯子手稿》作为现存最早的稿本,不见书目著录,鲜为世人知晓,具有重大的文献价值。《三百止遗》中大量浮签可见范当世对诗集亲自编订之迹,从中新发现了大量不见他本的吴汝纶评语。《范伯子诗集》《范伯子文集》《范伯子全集》刊刻的不同版本可见日臻完善之迹。Fan Dangshi was well-known in the literature field in Late Qing Dynasty, whose poems were the representatives of Tongguang style and whose essays inherited the style of Tongcheng school represented by Zeng Guofan and Zhang Yuzhao. Among the manuscripts left to the present, Fan Bozi＇s manuscripts was the earliest man- uscripts. Despite the absence of eatelogue and least recognition by the public, it had very important literary value. In the 300 Collected Works, there were lots of evidences to show Fan Dangshi＇s efforts to compile poems. There were also comments made by Wu Rulun. Different versions of Fan Bozi＇s Collection of Poety, Fan Bozi＇s Collection of Essays and Fan Bozi＇s Collected Works are made to be more and more complete.

关 键 词：范当世 稿本 刻本 

分 类 号：K106[历史地理—历史学]