深刻与多义——动画剧本《大闹天宫》的主题分析  

Depth and Ambiguity --On the Theme of the Animation Script Monkey King

作　　者：吴振尘[1] 

机构地区：[1]长沙师范学院学前教育系

出　　处：《特立学刊》2016年第5期44-48,共5页Teli Journal

摘　　要：动画剧本《大闹天宫》的主题存在着多义性，而不仅仅是类似“反抗与斗争”的简单解释。该剧本继承了《西游记》原著的思想并有所发挥，其主题贴近时代现实，体现了市民阶层的思想解放、民间反对皇帝信奉道教的小说创作时代的社会思潮，从人性的角度表达了反对约束、追求绝对自由的思想。《西游记》是印证心学之作，大闹天宫的恣意“放心”，表达了孙悟空追求自由、自我价值和个性的风采。大闹天宫同时是孙悟空修养心性的隐喻。从人才学角度看，该剧本涉及如何公正对待人才、人才如何在受到压制的环境中生存和发展等问题。There exists a sense of ambiguity in the theme of the Animation script Monkey King, aside from the simple explanation of ＂resistance and struggle ＂. The script mainly inherits the thought of the play Journey to the West. Its theme is relevant to nowadays realities, expressing citizens＇ longing for spiritual liberation, and the anti-imperial power trend. It specifically depicts a Monkey King who is after freedom, serf-worth, and individualism. The mess Sun Wukong inflicted in the heaven is a metaphor for his inner cultivation. From the perspective of science of personnel, the script discusses how to treat talents squarely and how talented people should survive and develop in suppressing and hostile environments.

关 键 词：动画剧本 《大闹天宫》 主题分析 动画文学 

分 类 号：I28[文学—中国文学]