思想与实体的碰撞,一场光影的戏剧——路易斯·I·康的建筑哲学与自然光设计之“光之刃”  

A Play Of Light And Shadow:Natural Light In Louis Kahn's Works And Theories——Take "Light Blade" For Example

作　　者：卢紫荫 

机构地区：[1]天津大学建筑学院

出　　处：《建筑与文化》2016年第12期152-153,共2页Architecture & Culture

摘　　要：光是路易斯·康的建筑哲学与设计作品的交汇点。随着近年来对自然光的研究逐渐升温,康一直是这个主题中不可逾越的部分。康的作品展现出极高的精神性。他的建筑哲学形成完整的理论体系,而建筑作品更是作为他的建筑哲学中不可或缺的一个部分,与他的思想相伴相生。文章对路易斯·康的建筑哲学中关于光的理论与其在建筑作品中自然光设计的关系进行阐释,并选取"光之刃"作为"光的过滤器"的一例进行分析,以为当代自然光设计提供借鉴。Light is where Louis I Kahn＇ s philosophy of architecture and his works meet. As the research on natural light has become hot in recent years, Kahn has always been nonnegligible in this topic. His architecture demonstrates the spiritual qualities, Kahn＇ s architectural philosophy was a complete theoretical system, while his architecture was an essential component of that. This paper refers to the relationship between Kahn＇ s philosophy especially the theory of light and the design of light filters in his works, and take ＂Light blade＂ as an example of the ＂Light filters＂ in his works.

关 键 词：路易斯·康 建筑哲学 光 光之刃 

分 类 号：TU-021[建筑科学—建筑理论]