吴国青铜乐器铭文与季札的诗乐思想  

The Inscription on Bronze Musical Instruments of Kingdom WU and Ji Zha's Poetic and Musical Thoughts

作　　者：谭德兴[1] 

机构地区：[1]贵州大学文学与传媒学院,贵州贵阳550025

出　　处：《武汉理工大学学报（社会科学版）》2016年第6期1043-1049,共7页Journal of Wuhan University of Technology:Social Sciences Edition

摘　　要：季札观乐是春秋时期著名的观乐与评乐活动。自两汉开始,历来关于季札观乐就存在截然相反的两种意见,或认为此事真实可信,但却苦于找不到令人信服之佐证;或认为此事属后人敷衍增饰,只因为坚信春秋时期的南蛮吴国不可能具备如此高水平之诗乐批评。历代学者均据传世文献展开论述,故各持己见,莫衷一是。而随着吴国青铜乐器的大量出土,解决这一千古悬案如今有了新的突破口。吴国出土青铜乐器铭文蕴含十分丰富的诗乐思想,无论从诗乐批评理论还是批评话语,皆可与季札观乐相互印证。吴国出土文献充分证明,春秋时期,吴国季札完全可能具备高超的诗乐批评水平,季札观乐应当真实可信。Ji Zha＇s listening and tasting music was famous music review activities of the Spring and Autumn Period. From the Han Dynasty, there are two opposing views about Ji Zha＇s appreciating music. Some people think that it is authentic, but found no evidence, and another people think that this thing is fictional, because they believe the Kingdom of Wu in the Spring and Autumn Period did not have such a high level of music. The scholars mainly based on the literature discussion, so their views are not uniform. With bronze musical instruments of the Kingdom of Wu having been founded, we have new breakthrough to solve this problem. The inscriptions on the musical instrument of the Kingdom of Wu have a wealth of poetry and music ideas. Both the criticism of theory and criticism term have proved to agree with Ji Zha＇s musical ideas. The unearthed documents on the Kingdom of Wu completely prove that during the Spring and Autumn Period, Ji Zha fully equipped with a superb level of poetry and music, and Ji Zha＇s commenting poetry and music is authentic.

关 键 词：吴国 季札观乐 青铜乐器铭文 

分 类 号：J120.9[艺术—艺术理论] J01