“语—图”视域下倪瓒题款艺术的审美价值研究  

Research on the Aesthetic Value of Ni Zan's Inscriptions on Painting from the Image-Text Perspective

作　　者：庞晓菲 Pang Xiaofe

出　　处：《民族艺术研究》2016年第6期191-199,共9页Ethnic Art Studies

基　　金：国家社科基金重点项目"中国审美意识通史"(批准号:11AZD052)阶段性成果

摘　　要：在中国传统文人画的渐变过程中,题款作为一个独特的艺术构成要素凸显着世代文人的人格魅力和文化底蕴。其中,倪瓒的题款艺术由于其所处时代的特殊性,彰显出更为自觉的文化体认。在倪瓒的书画作品中,题款已经不单是一个独立绝缘的艺术元素,更多的是与画面图像形成一种完美和谐的"语—图"关系:内容上,题款诗文与画面物象紧密勾连;形式上,题款书法的布局安排、字体大小等与画面、诗文风格完美契合。对倪瓒的题款艺术进行深入研究,可以窥探诗、书、画同处一个文本中的审美张力,这对于拓展中国传统绘画的发展道路意义深远。During the transformation of traditional Chinese literati paintings, the art of inscription as a unique aesthetic phenomenon highlights the personal charisma and cultural deposits of ancient literati. Ni Zan＇s inscriptions on painting manifest his selfconscious cultural experience corresponding to his own era. His inscriptions are not isolated artistic elements; instead they form a harmonious image -text relation with paintings. In content, the poetical inscriptions are closely intertwined with the images of the paintings. In form, the layout and font size of Ni Zan＇s inscription calligraphy are perfectly combined with the style of his paintings and inscription verses. Through a deep research on Ni Zan＇s inscription art, we can probe into the aesthetic tension of poetry, calligraphy and painting within the same context, which plays a significant role for the development of Chinese traditional painting.

关 键 词：倪瓒 题款艺术 语—图关系 审美张力 

分 类 号：J204[艺术—美术]