消费文化思潮中的多元化与世俗化——20世纪90年代文学创作与批评的人性话语考察  

The Diversity and Secularization Trend of the Thoughts of Consumption Culture——A Depth Analysis to Literary Creation and Criticism in the 1990's

作　　者：陈进武[1] CHEN Jin-wu(College of Liberal Arts, Jiangsu Second Normal University, Nanjing Jiangsu 210013, China)

机构地区：[1]江苏第二师范学院文学院,江苏南京210013

出　　处：《内蒙古社会科学》2016年第6期131-138,共8页Inner Mongolia Social Sciences

基　　金：江苏省高校哲学社会科学基金项目"新时期文学批评的人性话语研究"(编号:2016SJD750005);江苏教育科学研究院;江苏第二师范学院2015年度博士专项(编号:JSNU2015BZ24)

摘　　要：人性话语在20世纪90年代的文学创作与批评中出现新变。在文化内涵上,从"人的文学"到"私人的文学",人性言说随消费文化一路滑行,选择了远"形而上"亲"形而下"的路径。人性话语在与大众话语、民间话语等颉颃中显现虚实并置与交织的特征。从哲学本质看,人性话语的虚实与真伪隐含着创作与批评思维方式的新变,即感觉化与自我化的互补与会通。从价值取向看,人性话语在启蒙话语退守而后现代话语、新民间话语等崛起中呈现多元化与世俗化的价值指向,同时表明人性话语在解构与建构中的不确定性。Humane discourse revealed different characters in the 90＇s literary creation and criticism. In a cultural sense,from literature of human beings to literature of individual,humane discourse had been sliding toward the physical straightly and keeping away from the metaphysical under the influence of consumer culture. A seesaw battle occurs between humane discourse and mass discourse and folk discourse,emerging with the feature of fictitious and realistic comparison. In a philosophical sense,the dialectical thinking method has changed quietly and referred to the fusion of the feeling-realization and self-consciousness. Finally,in the sense of realistic value,humane discourse tends？ to diversity and secularization because of enlightenment discourse fading while postmodern discourse and new folk discourse rising and it is also give a sign to us about its uncertainty in deconstruction and construction.

关 键 词：90年代文学 人性话语 世俗化 自我化 话语方式 

分 类 号：I206.7[文学—中国文学]