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作 者:徐晓庚[1] 刘意[1] Xu Xiaogeng(School of Fine Arts, Central China Normal University (Wuhan 430079, China)
机构地区:[1]华中师范大学美术学院
出 处:《外国文学研究》2016年第6期104-112,共9页Foreign Literature Studies
摘 要:波德莱尔是现代派的发动机,他的印象诗与艺术活动推动了印象画派的形成与发展。学术界对他的印象诗多有研究,然而对他的印象诗与印象画派之间关联的研究鲜见。本文从现代派艺术产生的背景切入,从波德莱尔的印象诗旨、他对现代派发动的动因、手段与策略等方面入手,讨论他对印象画派的策动,探讨他与印象画派的直接关联,指出西方现代派绘画的语言走向东方化:即西方现代派美术走向二维性和装饰性,西方架上绘画的写实性终结,研究他在现代美术史上的地位,从而增进对现代派美术的理解,深化对印象画派的认识,促进文学史与美术史的研究。Baudelaire had been considered as the engine of modernism, and his poetry and art activities promoted the modernism and the formation & development of the impressionism. The academic circles used to focus on his poetry, but did not pay much attention to the connections between his poetry and impressionistic paintings. In the context of Modern Art, Baudelaire's poems' purport, his motivation, means and strategies were the strong evidence for us to explore his direct association with the impressionists, and the orientalization of modern painting, which is the swan song of realism art, but the beginning of graphical art. All these have been explored in the paper so as to study his status in the modern art history, enhance the readers' understanding of modern art and impressionists, and promote the study on art history and literature history.
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