中国家族文学母题模式流变述论  

On the Motif Evolution of Chinese Family Literature

作　　者：赵德利[1] Zhao Deli

机构地区：[1]宝鸡文理学院文学与新闻传播学院

出　　处：《社会科学》2017年第1期185-191,共7页Journal of Social Sciences

基　　金：陕西省社科基金项目"中国家族文学母题模式研究"(项目编号:2014I03)的阶段性成果

摘　　要：中国家族文学从社会形态、审美理想、文化反思和创作方法等方面,可以分为古代家族文学与现代家族文学两个分支类别和古代、现代、新时期三个创作阶段。古代家族文学以《金瓶梅》为标志,以《红楼梦》为高峰,对市民日常生活进行了社会性叙写。现代家族文学以启蒙为宗旨,将古代家族文学的史传传统延续为宏大叙事,将诗骚传统嬗变为民间表达方式,开启中国现代家族文学母题模式。新时期家族文学把创作的民间视野再作拓展,全面反映了中国近代以来宗法家族的演化历史及其家国关系、亲缘关系、阶级关系、民族关系等矛盾冲突,形成家族与国家、民族、心理欲望等诸多叙事母题,推动家族文学登临文学创作的新高度。In terms of social form, aesthetic ideal, cultural reelection and writing method, the Chinese family literature can be classified into two subtypes： ancient family literature and modem literature, and the development of Chinese family literature undergoes three stages, namely, the ancient period, the modem period and New Period. Represented by The Golden Lotus andA Dream of the Red Mansions, ancient Chinese family literature describes everyday life of city residents. Aiming at enlightening the people, modem Chinese family changes the ancient tradition of history and biography into grand narratives, changes the tradition of The Book of Poetry and Li Sao into folk expression, and starts the motif mode of modem Chinese family literature. Family literature in the New Period further expands the folk horizon, comprehensively represents evolution history of patriarchal family since 1840, explores themes such as family-state relation, kinship, class relation and ethnical relations, and forms various narrative motifs like family versus state/nation/psychological desires, which help family literature to reach a new height.

关 键 词：家族文学 母题模式 家国关系 文化视野 

分 类 号：I206[文学—中国文学]