论刘克庄词中花意象的文学书写  

The Flowery Images in Literature Writing in LIU Ke-zhuang Rhymed Verses

作　　者：高尚杰[1] GAO Shang-jie(School of Liberal Arts, Nanjing Normal University, Nanjing, Jiangsu 210097, China)

机构地区：[1]南京师范大学文学院,江苏南京210097

出　　处：《集宁师范学院学报》2017年第1期5-10,共6页Journal of Jining Normal University

摘　　要：赏花、写花是宋代文人社会生活中的一项重要内容。刘克庄的词作中多入以花的意象,不仅仅是其个性情怀的体现,也是社会风尚的展示。同时,刘克庄善于运用多种艺术手法将花意象多层次、多角度、多方位地进行描摹,力求立体表现花的体貌姿态与精神内涵。花意象亦是刘克庄词中重要的寄托对象,通过对花内在气韵的刻画,将自我的家国情怀与身世之感融合于其中,使人格气质与花合为一体,具有独特的审美价值。Admiring flowers and writing about them is an important part of the literati＇s social life in the Song Dynasty （960-1279）. Many images of flowers in LIU Kc-zhuang＇s rhymed verses are not only the embodiment of his personal feelings but also the display of the current social customs. At the same time, LIU Ke-zhuang is good at using a variety of art tech- niques at various levels, from multiple angles and in many aspects to depict flower images in order to strive to give a three-di- mensional representation of their physical posture and spirit connotations. Flowery images are also the important sustenance ob- jects in LIU Ke-zhuang＇s rhymed verses; he fused his patriotic emotion and his life experience into his depiction of the inher- ent spirit of the flower, integrating his unique personality temperament with flowers into one and having unique aesthetic value.

关 键 词：意象 咏花 品格 刘克庄 

分 类 号：I206.2[文学—中国文学]