唐代女官服饰的文化内涵及其审美特征解析  

On the Cultural Connotation and Aesthetic Characteristics of Female Official Dress in Tang Dynasty

作　　者：张婷[1] 宋洁[1] 

机构地区：[1]西安外国语大学艺术学院,陕西西安710128

出　　处：《宝鸡文理学院学报（社会科学版）》2016年第6期63-65,共3页Journal of Baoji University of Arts and Sciences：Social Science Edition

基　　金：陕西省教育厅专项科研计划项目(项目编号:16JK1633)

摘　　要：襦裙、男装、胡服都是唐代女官比较常见的着装,不同的色泽、款式与风格不仅有不同的指称意义,也体现着不同的审美诉求,还蕴含着不同的文化内涵。唐代女官的服饰造型及其变革不仅折射着特定女官的身份、地位与职分,还折射着当时社会的经济形势、文化生态、审美诉求与价值取向。Dress, menswear and Northern barbarian--wear are female officer＇s common dress in Tang dynasty. The different colours, shapes and styles not only have different meanings, but also reflect different aesthetic demands, and different cultural connotations. The ancient life scene of the Tang Dynasty female officer can be drawn out from the murals, sculptures, scrolls and others artistic work. Female officers＇ in Tang Dynasty costumes and the corresponding changes not only reflect the particular female officer and his followers＇ identity, status and requirements, but also the social eco- nomic situation, cultural ecology, aesthetic appeal and value orientation at that time.

关 键 词：女官 襦裙 品位服 胡服 文化内涵 审美特征 

分 类 号：K892.23[历史地理—民俗学]