逾越与延宕:图像叙事的深层表达——以明刊插图本《剪灯余话·鸾鸾传》为例  

Overstepping and Delaying: Deep Expressions of Image Narration—Taking the Illustrated Edition Jian Deng Yu Hua·Luan Luan Biography of Ming Dynasty for an Example

作　　者：秦闻[1] 张玉勤[1] QIN Wen ZHANG Yuqin(School of Chinese Language and Literature, Jiangsu Normal University, Xuzhou 221116, China)

机构地区：[1]江苏师范大学文学院,江苏徐州221116

出　　处：《长春大学学报》2017年第1期77-81,共5页Journal of Changchun University

基　　金：国家社科基金项目(11BZW005);江苏师范大学校级一般项目(2015YYB111)

摘　　要：古本小说插图由文本而来,将时间性表达转化为空间性的演绎。绘者撷取文本或改变文本语言架构图像,达到细节真实与整体虚拟的效果。图像对语言的撷取与改变必然带来图像叙事与文本叙事呈现情节的不一致,具体表现为图像对语言的逾越与延宕。明代刊本《剪灯余话·鸾鸾传》图文关系的互动,呈现了图像叙事的逾越与延宕的深层表达。The illustrations in ancient novels depend on the text,turning time expression into space interpretation. Drawers capture the text meaning or change the architecture image of text language to achieve the effects of real details and whole virtuality. The selection and change of the language by image inevitably bring different circumstances between image narrative and text narrative,reflecting as the overstepping and delaying. The interaction between image and text in the edition Jian Deng Yu Hua·Luan Luan Biography of Ming Dynasty presents the deep expressions of overstepping and delaying by image narrative.

关 键 词：《鸾鸾传》 图像叙事 逾越 延宕 

分 类 号：I207.41[文学—中国文学]