20世纪80年代初期中国电影中的“个人叙事”——以改编自小说的影片为例  

On the Personal Narrative of Chinese Films in the Early 1980s——A Case Study of Films Adapted from the Novels

作　　者：陈伟华[1] 

机构地区：[1]湖南大学文学院,湖南长沙410082

出　　处：《上海师范大学学报（哲学社会科学版）》2017年第1期130-138,共9页Journal of Shanghai Normal University(Philosophy & Social Sciences Edition)

基　　金：国家社会科学基金青年项目"中国小说的电影改编研究(1905-2010)"(11CZW071);2014年度湖南省普通高校学科带头人培养对象项目

摘　　要：20世纪80年代初期中国电影中盛行"个人叙事"。以《阿Q正传》《骆驼祥子》《青春万岁》《许茂和他的女儿们》《天云山传奇》《女大学生宿生》等改编自小说的影片为例,可见三个突出特点:一是,彰显个人但不屏蔽集体;二是,扬个性而抑个人利己主义;三是,着力塑造时代女强人。"个人叙事"的兴盛和"个人"的彰显有着特定的时代背景和文化氛围,也包含着主创者们的特别诉求。The ＂personal narrative＂ was very popular in Chinese films in the early 1980s. The films such as the True Story of Ah Q, The Rickshaw Boy, Forever Young, Xu Mao and His Daughters, Legend of Tianyun Mountain and so on adapted from the novels showed three outstanding characteristics： first, the films highlighted individualism but did not shield collectivism; second, the films encouraged personality but guarded against egoism; third, the films focused on shaping the real woman of the era. The flourishing of ＂personal narrative＂ and ＂individualism＂ showed a specific historical background and cultural atmosphere, and the films exposed special appeals of the creators.

关 键 词：个人叙事 20世纪80年代 电影改编 阿Q正传 骆驼祥子 青春万岁 天云山 传奇 

分 类 号：J90[艺术—电影电视艺术]