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作 者:高林广[1]
机构地区:[1]内蒙古师范大学文学院,内蒙古呼和浩特010022
出 处:《内蒙古师范大学学报(哲学社会科学版)》2016年第4期94-100,共7页Journal of Inner Mongolia Normal University:Philosophy and Social Sciences Edition
摘 要:至正二年(1342),拂郎国遣使至元上都进献天马,朝臣学士争相献诗作画、敷赞撰序,一时间华章迭映,蔚为大观。此为丝路文化背景下发生在元上都的一桩文坛盛事,记载了中西文化交流的历史事实,客观地反映了元人对外来文化的态度。上都天马歌多从中土传统文化中汲取思想材料,对贡马的体貌、形态、精神气质等作了生动形象的描绘;同时,也着意阐释和渲染了马的"神性",艺术地展现了贡马的灵心慧性;上都天马歌还从人文化育角度凸显了天子圣德、远裔归化的主题。动物性、神性和人性的完美融合,最终锻造了天马深沉、浓郁的文化品格。In the 2nd year of Zhizheng (1342), the country of ancient Finland sent an envoy to offer a Pegasus to Shangdu, the capital of Yuan dynasty. The courtiers eagerly offer poetry and painting, write complimentary essays and prefaces, which form a spectacular atmosphere. This is a prosperous literary e- vent under the Silk Road cultural background and it documented historical facts of cultural exchange be- tween China and the west. It also objectively reflects the attitude of people in Yuan dynasty towards for- eign cultures. Pegasus songs draw inspirations from traditional culture of China. These works described the Pegasus" physical appearance, shape, and ethos etc. At the same time, they also intended to depict the di- vinity of the horse and show the spiritual sense of it. In addition, these songs and works also highlight the emperor's holiness and the naturalization of descendents in other nations from the perspective of human cultural education. The Pegasus rich cultural character was forged in the perfect integration of animal na- ture, divinity and human nature.
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