母性崇拜、英雄崇拜还是红颜祸水?——抗战剧中女性群像的原型解读  

A Mother,Heroine or Femme Fatale:Prototype Interpretations of Female Images in the Dramas of Anti-Japanese War

作　　者：张健[1] 周爱炳 

机构地区：[1]苏州大学凤凰传媒学院,江苏苏州215123

出　　处：《徐州工程学院学报（社会科学版）》2017年第1期1-5,共5页Journal of Xuzhou Institute of Technology：Social Sciences Edition

基　　金：国家社科基金项目"新媒体语境下政治认同的建构路径研究"(15BXW062)的阶段性成果

摘　　要：对2009年以来七部抗战剧中女性角色的原型解读表明,抗战剧中大致存在着母亲原型、女性英雄原型、红颜祸水原型三类原型,创作主体是在母性崇拜、英雄崇拜等集体无意识支配下完成了对抗日女性群像的想象性书写。然而,由于消费文化和传统性别无意识的影响,抗战剧中的女性角色始终作为男性悲情英雄的追随者、成全者而存在。The prototypical interpretations o nese war since 2009 show that the authors have trait under the domination of However, due to the influence heroines always remain as the f the female characters in completed the imaginative such collective unconsciousness of consumer culture and tradit followers and ministrants to the as materna the seven writing of 1 worship, dramas of anti--Japa- the female group por- heroic worship etc.. ional gender unawareness, the roles of the male characters with pathos.

关 键 词：抗战剧 女性群像 原型 

分 类 号：G223[文化科学]